![]() ![]() The audience is immediately proscribed by the mass media and, therefore, defused before its fellow citizens dare ‘boo’ from the stands. The public stage has become a sort of orchestrated video game – a frivolous, ridiculous operetta with a few recited parts that are performed daily before a people overwhelmed by the consequences of the crisis. His work is included in documenta 14.Īrt must be a sign of resistance to a political model that is increasingly hierarchical, diffuse, global and standardized. Courtesy: the artist, Alexander and Bonin, New York, and Galeria Vermelho, São Pauloĭaniel G. Jonathas de Andrade, O Levante (The Uprising), 2012–13, performance documentation in Recife, where horse carts are banned. His work is included in the Sharjah Biennial until 12 June. His solo show, ‘O Peixe’, at the New Museum, New York, runs until 9 April. His video The Uprising will be on display at the Museum of Modern Art, New York, as part of ‘Unfinished Conversations: New Work from the Collection’ which runs until 30 July. Jonathas de Andrade lives in Recife, Brazil. Courtesy: the artist and Milani Gallery, Brisbane Vernon Ah Kee, Authors of Devastation, 2017, acrylic on linen, 2.4 × 3.2 m. He is participating in the inaugural Honolulu Biennial, which runs until 8 May. Earlier this year, he had a solo show, ‘Not an Animal or a Plant’, at the NAS Gallery, Sydney. Vernon Ah Kee lives in Brisbane, Australia. Naeem Mohaiemen Shahryar Nashat Brian O’Doherty Ahmet Ögüt Uriel Orlow Trevor Paglen Kameelah Janan Rasheed Claus Richter Doris Salcedo Dread Scott Marinella Senatore Amy Sillman SUPERFLEX Slavs and Tatars Luca Vitone Vernon Ah Kee Lubaina Himid Hiwa K Adelita Husni-Bey Khaled Jarrar Bouchra Khalili Bose Krishnamachari Leung Chi Wo Fred Lonidier Helen Marten Kristian Mondrup and Liu Shiyuan Shana Moulton Eva and Franco Mattes Minerva Cuevas Michael Dean Jeremy Deller Jimmie Durham Ibrahim El-Salahi Cevdet Erek John Gerrard Mariam Ghani Núria Güell Khaled Hafez Hands Off Our Revolution Neha Choksi Alice Creischer and Andreas Siekmann Abraham Cruzvillegas Andújar Andreas Angelidakis Leonor Antunes Kader Attia Walead Beshty David Birkin Daniel Boyd Adam Broomberg & Oliver Chanarin Paulo Bruscky Tania Brugueraīanu Cennetoğlu Kudzanai Chiurai Adam Chodzko Vernon Ah Kee Jonathas de Andrade Daniel G. (Click on the artist’s name below to jump to their entry.) Further contributions to the print version are included here, from around the world. The submissions, by more than 50 respondents from over 30 countries are provocative and enlightening. With this in mind, we invited a cross-section of artists, curators and writers to answer two deceptively simple questions: ‘How important is art as a form of protest?’ and ‘How effective is it as a conduit of change?’ Responses could take the form of a statement, an image, a film or a combination of all three. When you do that you lose track of the fact that it’s our consumption of the gas that causes those emissions.Given the current political climate, we here at frieze have been reflecting on the role of art in responding to conflict. Traditionally, as a state, we would’ve said those aren’t our emissions, they’re Pennsylvania’s and Ohio’s. “Most of those emissions occur outside of New York, they occur in Pennsylvania and Ohio. “When we use natural gas here in New York it’s almost all shale gas from Pennsylvania, Ohio and West Virginia… and there’s a huge climate impact associated with using that natural gas due to emissions of unburnt methane,” Howarth said. The other major change inspired in part by Howarth’s research, is that New York State will now consider the effects of consumption of natural gas, and take responsibility for emissions caused by the production. One of the major components of the CLCPA derived from Howarth’s work is the required updated accounting for methane emissions, in addition to tracking carbon dioxide. That paper led Howarth to contribute language to the CLCPA alongside New York State Assemblymember Steve Englebright. In 2013, Howarth authored a paper outlining alternatives for New York State energy, including wind, water and sunlight. Howarth has been teaching and studying climate change since 1980, and much of his work has been focused on the role of methane from shale gas emissions on climate change, and alternative energy policies. ![]() Howarth was appointed to the council by Carl Heastie, speaker of the New York State Assembly. ![]()
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